Publication date: April, 1993
Story: Kevin Eastman and Peter Laird
Script: Jim Lawson and Peter Laird
Pencils: Jim Lawson
Inks: Jason Temujin Minor
Cover: A.C. Farley
Tones: Eric Talbot
Letter: Mary Kelleher
“City at War, Part 9 of 13”
Summary:
In a park in Colorado, Casey and Gabe are going for a
leisurely stroll. Gabe is relieved that
she’s finally given birth and now she and Casey can raise their beautiful child
together. Suddenly, a hulking version of
Casey clad in a black hockey mask charges onto the scene, strikes Casey down
with a hockey stick and slings Gabe over his shoulder. The evil Casey throws her into his Chevy and
then drives off before Casey can save her.
Casey hears a sound and it’s Gabe, sobbing on a park bench. Casey runs to her, but when she lifts her
head, she’s actually April.
Casey awakens from his dream in a hospital waiting room. He’s approached by Dr. Brenner who asks to
speak with him in his office. Dr. Brenner
tells Casey that there were complications while Gabe went into labor. She began hemorrhaging and after eight hours
of labor, the internal bleeding took its toll.
Gabe passed away while giving birth.
Dr. Brenner tells Casey that they were able to save the baby with a
c-section and Casey is the father of a little girl. Dr. Brenner leaves Casey to have some privacy
in his office. Sullenly, Casey says
nothing and just stares out the window.
In an abandoned building in New York, the Turtles discuss
the truce Karai has proposed. Raph
thinks it’s a potential double-cross while Don and Mike think that joining with
the Foot would go against everything Splinter ever taught them. Leo asks them to think about what exactly it
was that Splinter taught them. Since
they were children, Splinter raised them for the purpose of exacting vengeance
against the Foot. Splinter’s blood debt
has wound up casting a shadow over not only their lives, but April’s and Casey’s
as well. Regardless of Splinter’s
approval, Leo sees this truce as a chance to live their lives freely from their
master’s blood debt. Don reminds Leo
that the Elite Guard have split from the Foot Clan and would still hound them
for vengeance, regardless of any truce.
Leo says Karai may be able to help with that and they should go see her
now.
In the abandoned smokestack in Northampton, the Rat King
notices that Splinter has begun to get his energy and health back. Splinter notices, too, and wonders how long
he has been trapped. The Rat King tells
him two months. He also says that he
knew Splinter would one day come and that his mission was to break through the
walls of Splinter’s deeply ingrained beliefs and teach him a valuable
lesson. Splinter accepts that he was
meant to come to this place and learn this lesson; that the master has become
the student. The Rat King suggests that
Splinter should always see things in such a way.
In the hospital, the old man watches a news report about
the escalating violence in Sarajevo. He
bows his head in pain.
The Turtles mount the skyscraper where the Foot are
headquartered and find a trail of dead Foot Soldiers. They follow the trail inside and find Karai
clutching the corpse of a young woman.
Karai reveals that the woman was her daughter. In the corner is the corpse of the Elite
Guard who killed her. Karai tells Leo to
promise that they will kill them all.
Leo bows his head and promises.
In a law office, April and Robyn meet with Mr. Fennet,
the attorney for their late father. Mr.
Fennet reads the will and reveals that both April and Robyn will be receiving
$200,000. Robyn suggests that April
return with her to L.A. so they can start their own business. April declines, saying she has to follow her
own path in New York, but appreciates the offer. The two sisters hug and part on good terms.
In Colorado, Casey is driving Gabe’s Jeep recklessly through
the mountains. He crashes it and then
begins climbing to the highest point.
Once he gets there, he opens Gabe’s urn and spreads her ashes to the wind,
wishing her god speed.
Turtle Tips:
*This story is continued from TMNT (Vol. 1) #57. The story continues in TMNT (Vol. 1) #59.
*“Dark Casey” will appear again in TMNT (Vol. 2) #1.
*The cliff where Casey spread Gabrielle's ashes will be revisited in Tales of the TMNT (Vol. 2) #15.
*The cliff where Casey spread Gabrielle's ashes will be revisited in Tales of the TMNT (Vol. 2) #15.
Review:
Poor Casey. Admittedly,
Gabe didn’t have a whole lot of personality in the short time we knew her, and
a cynical reader might accuse her of being an example of "fridging" (introducing a female character just to kill them off solely for the benefit of making a male character more interesting), but
what matters is what she meant to Casey.
So even if you don’t feel a pang of sorrow for Gabe when she dies, you
sure as Hell feel it for Casey. Lawson’s
layouts of the “bad news” and Minor’s inking really got the somber tone across
and you’re truly imparted with Casey’s sense of loss. And speaking of Minor, his inking on this
issue was fantastic.
The opening dream gives us our first look at “Dark Casey”
or whatever you call him. He’ll appear a
few more times in the series. He
basically represents everything Casey was in the past but mutated to bizarre
proportions. Dark Casey is clad in Casey’s
“vigilante” garb, albeit with more menacing colors, and he’s built with a
Liefeldian physique that echoes Casey’s obsession with being a “badass” over
everything else. And to cap it all off,
he speeds away in Casey’s Chevy; the material object he used to call his “baby”
back in his vigilante days. It’s an
identity crisis for Casey, as his newer, gentler self is confronted by his
darker, earlier incarnation. The fact
that he fails to save Gabe from Dark Casey is an interesting prophecy that I
suppose represents a sense of guilt for losing Gabe (even though there was
nothing Casey could do).
The inclusion of April seems to be another bit of
precognition on Casey’s part and parallels his circumstance with April’s. Both are experiencing the loss of a loved one
and both are being bequeathed something in exchange. In April’s case, it’s $200 grand. In Casey’s case, it’s a baby girl.
As for the Turtles, they discuss one of the less
glamorous aspects of their origin; the fact that they were raised from
childhood by Splinter to kill his mortal enemy.
They’re conflicted and it makes total sense; they want to obey their
father and sensei but they don’t think the life he’s made for them is particularly
fair, either. The father/sensei
dichotomy of Splinter has been one of the more fascinating but thus far
unspoken qualities of the character and it’s good to see the Turtles finally
laying their feelings bare (with Leo, surprisingly, being the most critical of
their upbringing). Does Splinter see the
Turtles as his children or as tools for vengeance? The answer is “both”, of course, but can
Splinter really categorize himself as a good father when he’s so willfully thrust
his children into a life of murder and vengeance? The blood debt was between Splinter and Saki,
after all, yet it’s the Turtles and their friends who are always suffering the
consequences of that debt.
From that angle, Splinter’s torturous humbling at the
hands of the Rat King seems more like an act of karma than anything else. As a master, he let his pride cloud his judgment as a father. The Rat King's purpose was to tear down that wall of pride (in a rather disgusting way). Splinter really needed to
be taken down a peg.
I’ve always found Mirage Splinter to be less sympathetic
because of this incongruity in his back story and it’s a reason why I tend to prefer some of his other
incarnations in different media. The
idea of Splinter passing on his knowledge and skill to his children so that
they can keep themselves safe in a world that doesn’t understand them is
perfectly fine. But passing on that
knowledge with the condition that they must go out into the world and murder
all his enemies without question… I’m not so hip to that. It definitely makes Mirage Splinter a more
complicated character, but with so many different writers over the years, it
makes him seem like a big fat hypocrite, too.
If Splinter really loved his kids then I imagine he’d have swallowed his
pride and not sent them on his revenge mission.
Yeah, he uses the excuse of being too old and weak to do it himself and
that it pains him to delegate the task to his children, but how about you just
let it go, instead? IDW’s Splinter has
been appealing to me because we’ve been shown his moral dilemma of Father vs.
Sensei from the get-go and the Turtles have been shown to have no fewer reservations about carrying on somebody else’s blood debt.
“City at War” is illuminating for all these reasons as it
encourages you to think harder about the characters than ever before. In regards to Splinter, though, I’m not sure
if the illumination so much exposes the character’s inner turmoil as it does
some sketchy and flimsy writing. Mirage
wants Splinter to be a loving parent and a merciless clan leader. And I’m sorry, but the rat can’t have his cheese and eat it, too.
Grade: A (as in, “And yeah, Karai’s got to be pushing at
least 40 if her daughter’s that old. I
kind of hate the ‘Shredder’s daughter’ stuff all the other continuities have
run with. I think she may even be older
than Saki…”)