Candy summarily faints and “Mondo” reveals himself to be Null. Mocking how women can’t handle the ole “souls of loved ones in Hell” routine, he lifts Candy up and tells Scul and Bean to call in their escape ship. As the ship lands, Bean attempts to make cover with one of his bombs, but Leo knocks it away with a shuriken. Null and the Malignoids still manage to make it to the ship with Candy and they fly off into space.
As everyone boards the Strato-Ray to rescue Candy and stop Null, Leo and Don ask to be dropped off in the water outside the USCGS Dator so that they can rescue Mikey from the Coast Guard.
*This story is continued from TMNT Adventures #55. The story continues in TMNT Adventures #57.
*A pin-up page by Mike Kazaleh published in TMNT Adventures #61 illustrates (humorously) that the Mutanimals did not, in fact, go to Hell after they died.
Despite having “chapter” marks, this entire issue is just one long fight scene (and only one chapter). And while that sounds shallow, like nothing but action-oriented filler to keep the plot from progressing, the issue-long brawl is one of absolutely brutal intensity.
The Gang of Four just being “fancy robots” allows for a certain level of violence the book wouldn’t have been allowed to get away with; sort of like how all the bad guys on “Samurai Jack” turned out to be robots when cut open despite all appearances to the contrary. So far as I’m concerned, I actually prefer that kid-oriented Turtle cartoons and comics use robots over human enemies, at least when it comes to cannon fodder, as it allows the TMNT to actually use their weapons. I loved the 4Kids cartoon, don’t get me wrong, but I can only suffer through Leo never ever using his swords to cut anybody for so long.
There are a pair of two-page spreads in this issue, but they’re strategically executed and, again, don’t rub off like they’re “killing time” to make the issue go by faster. The first is the set-up for the brawl; the ole “both sides charge toward each other” shtick. It’s well-drawn and built up to and I love the exchange between Ninjara and Dead-Eye (“To the Death!” “No prob.”). The other spread is, well, wow. The pin-up style spread of the Mutanimals burning in Hell, done with heavy inks and a single shade of blood red. It is incredibly effective and, if you were attached to the Mutanimals, an absolutely brutal dose of salt to the wound. I complained about Talbot’s inking from the flashback in last issue, but his inking was perfect for this spread; dark, nasty and positively horrific. Murphy (Clarrain) has mentioned that he was let go by Archie’s editor Victor Gorelick because he was taking the book “too far”. Not that I agree with Gorelick’s decision (cuz I don’t), but I can totally see how the publishers at a children’s comic company could find this sort of thing very disturbing.
I think my only complaint is that pages 9 through 11 are a recap of the previous few issues and I really don’t think we needed it. Last issue contained a recap of the previous batch of issues and, outside of explaining the obvious fact that future-Leo leant future-Raph his swords, it doesn’t tell us anything new about the situation. I can understand wanting to get everybody up to speed, but we just sat through the exact same info dump an issue ago.
Also, Leatherhead is conspicuously absent from that “in Hell” two-page spread. Not a big deal, but I guess Allan couldn’t fit him in.
All in all, this middle section of “Terracide” was all action, but it was some very intense and startling action. The Gang of Four weren’t particularly good villains and I’m glad to see them dead. At the very least, they gave Slash ample opportunity to be awesome.
Grade: A- (as in, “And don’t worry about the 'Hell' thing. There’ll be an editorial cartoon in a few issues to set your minds at ease”.)